A selection of M&V 'lighting' articles
Ensemble. A Tad More Sensual - Simon Keenlyside sings Don Giovanni with the Cleveland Orchestra, appreciated by Kelly Ferjutz
Ensemble. A Wonderful Rendition - Puccini's 'La Fanciulla del West' at the movies impresses Maria Nockin
Ensemble. Stunning Artistry - New York Metropolitan Opera's Verdi's 'Don Carlo' transmission, seen and heard by Maria Nockin
Ensemble. True Ear Candy - Wagner's 'Lohengrin' at L A Opera, enjoyed by Maria Nockin
Ensemble. Convincingly Pitched - Britten's 'The Turn of the Screw', heard by Mike Wheeler
Ensemble. Brisk and Powerful - 'Carmen' in Tucson, enjoyed by Maria Nockin
Ensemble. Eminently Believable - Undercroft Opera's 'La Traviata', reviewed by Kelly Ferjutz
Ensemble. Pure Magic - Opera North's 'Rusalka', reviewed by Mike Wheeler
Ensemble. Darkness to Light - Giuseppe Pennisi visits the Ravenna Festival
Ensemble. An Excellent Staging - 'Madama Butterfly' at Rome's Teatro dell'Opera, appreciated by Giuseppe Pennisi
Ensemble. High Expectations - Barenboim's 'Das Rheingold' at La Scala, reviewed by Giuseppe Pennisi
Ensemble. An Enjoyable Evening - Opera North's 'Ruddigore', reviewed by Mike Wheeler
Ensemble. Excellent Singing - Handel and Rossini from Los Angeles Opera impress Maria Nockin
Ensemble. Particularly Effective - Mozart's 'Così fan tutte', heard by Mike Wheeler
Ensemble. A Sizzling Rendition - 'Carmen' from Phoenix Opera impresses Maria Nockin
Ensemble. Authority and Charisma - Wagner's 'Siegfried', reviewed by Maria Nockin
Ensemble. A Gala Atmosphere - Maria Nockin reports from Los Angeles Opera's opening night 'L'Elisir d'amore'
Ensemble. Buoyant and Fresh - André Messager's 'Véronique' delights Mike Wheeler
Ensemble. Unique Sonorities - Britten's Peter Grimes, heard by Maria Nockin
Ensemble. Crisp and Incisive - English Touring Opera's 'Magic Flute', enjoyed by Robert Hugill
Ensemble. Thoroughly Enjoyable - An Arizona winter treat of Verdi's 'Aida', enjoyed by Maria Nockin
DVD Spotlight. Love Problems - Donizetti's 'l'Elisir d'amore', reviewed by Robert Anderson. '... beguiling candour.'
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