Thoughtful patterns
Music played by Corey Jane Holt, reviewed by PATRIC STANDFORD
Blue Pearl
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Corey Jane Holt is undoubtedly a dynamic pianist, and there
are moments among these eleven tracks when her proficiency
is matched by the quality of work the composers have
provided for her, but there are many weary passages of patterning
attractive enough but with very little musically worth
saying.
Among the best of it all might be the thoughtful
patterns and rather vacant minimalism of Robert C
Constable's Recursions, the most substantial work on the
disc and one that is spread over six movements ranging from
contemplative designs
[listen -- track 2, 0:00-0:56] to empty
sequences
[listen -- track 5, 0:01-1:00].
There are two pieces
that involve tape with the piano: Hideko Kawamoto's After
the Summer Rain for amplified piano and two-channel tape;
and Paul Reller's Executive Outcomes. Paul Reller is also
there with Corey Jane's Polka Madness which, like David W
Rogers's Florida Suite for piano and percussion, seems to
provide an unremitting series of energetic but hollow
events [listen -- track 9, 4:44-5:24].
There is some angry
virtuoso modernism in Greg Boardman's Monolog 3 which does
at least seem to suggest that Corey Jane is worth a better
repertoire [listen -- track 11, 0:01-0:59].
Copyright © 13 March 2004
Patric Standford, Wakefield UK
Unmistakably Modern - Corey Jane Holt
Stereo 66'00" 2002 Blue Pearl Records
Corey Jane Holt, piano
Robert C Constable: Recursions 1-6 (1987-1996; solo piano); Hideko Kawamoto: After the Summer Rain (2000; piano and electronic tape); Paul Reller: Corey Jane's Polka Madness (1998; piano and percussion ensemble); David W Rogers: Florida Suite (2000; solo piano); Paul Reller: Executive Outcomes (1997; piano and electronic tape); Greg Boardman: Monolog 3 (1999; solo piano) |
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COREY JANE HOLT
Record Box is Music & Vision's
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