<< -- 3 -- Malcolm Miller VERISMO AL FRESCO
The lion's share of the evening was, however, Canio's, with
his first jealousy aria and later the famous anguished outpouring. Irakli
Grigalashvilii certainly looked the role and his thrilling performance in
the last scene was arresting, the famous motto gaining in intensity each
time. Nicoletta Conti's conducting displayed great charisma and control,
eliciting some excellent sounds from the orchestra, including Robert Bailey's
eloquent cello solos during the Nedda-Silvio love duet and its allusive
equivalent in the acted commedia dell'arte sequence. A highpoint
was the famous 'Intermezzo' during which Nedda silently watched
a tender farewell scene from the film -- well chosen to echo her planned
elopement with Silvio. Conti's emphasis of dramatic sweep was rewarded
with stirring playing from the strings and brass sections, as well as colourful
harp (Suzie Willison) and timpani (Chris Ridley) at moments of lyricism
or ominous suspense.
Geraint Dodd as Canio. Photo: Michael Volpe
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There was humour too. The play was introduced with the town band sequence
and the choruses all fizzed with 'schwung', much credit due also
to the children's chorus of W11 Opera. In the dénouement,
the theatrical performance is interrupted as Canio brushes aside the dinner
table at which his wife and actor-lover are engaged -- using a pistol
to kill both Nedda and Silvio. In the event Leoncavallo rounds things off
swiftly, with almost no time to assimilate the dramatic turn of events,
a double crime de passion. The orchestra rose to a welling climax,
and the show was over.
Opera Holland Park's interval is only a quarter of the length of
Glyndebourne's, but the artistic experience in this landscaped-opera
setting at its best may be as refreshing and uplifting, a boon for London
audiences, even (as on this occasion) in the rain. The artistic standards
certainly aim high and the enterprising productions offer a valuable showcase
for young vocal and acting talent. The season, in association with Classic
FM, began with Bizet's Les pecheurs de perles (11-22 June
2002) and continues with Cilea's Adriana Lecouvreur (9-27 July),
Puccini's La Rondine (11-26 July), Mozart's Don Giovanni
(30 July- 10 August).
Copyright © 11 July 2002
Malcolm Miller, London, UK
OPERA HOLLAND PARK
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