<< -- 3 -- Roderic Dunnett Masterly
There was the odd hiccup, principally some ugly pitching by Stephen Rooke
as the chief crook, Grimoaldo, who alternated two fine arias with two distinctly
uneasy ones : 'Within its pain my soul' was indeed just that; descending
phrases were a near-disaster; at the arrest Rooke was tuning-perfect, but
just before Garibaldo's (ingeniously engineered) coup the notes wavered
yet again. The echo arias -- one for Rodelinda ('Ombre, piante'), one for
the hero ('ye caves and mountains') -- were superb, although Emma Bell's
vibrato doomed all her dourish vowels to sound more or less identical.
The focus of this opera, however, is Bertarido, the exiled Lombard king.
Adopting Scholl's Glyndebourne mantle, Robin Blaze began as he went on --
exquisite phrasing, beautifully formed words, gentle and affectionate characterisation,
a cherishing of all that Handel intended. His intonation, mode of approaching
each note and portamenti in 'Di Cupido impiego i vanni', his words
upon arrival, with Haim's spot-on accompaniment, said it all. His 'Dove
sei' was as reft as 'Ombre mai fu', as lulling as 'Art thou troubled?',
the central 'Sono oppresso' finely tinged by harpsichord and cello, with
the vocal reprise sensitively decorated.
Trailing through Lombardy like a demure Peter the Great wandering Deptford,
Blaze has the tramp's art of being able to flop and (seemingly) relax wheresoe'er
he alights. 'Scacciata del suo nido' (the 'uncomplaining swallow') was melting;
the great 'io t'abbraccio' duet with Rodelinda was entrancing, with the
odd paradox that Emma Bell's vibrato lies mainly beneath the note, Blaze's
above it. Blaze dramatises well : he can yelp in dramatic terror or sear
into a moment of raw baritone without compromising the overall beauty. The
'Chi de voi?' ('Which of you, blind love or cruel Fate?') aria, with its
passacaglia overtones prefacing the abrupt change in Bertarido's luck, was
superb; and his thundering 'Vivi, tiranno!', with blistering oboes in attendance
-- Handel in full throttle -- as thrilling as could be.
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Copyright © 22 December 2001
Roderic Dunnett, Coventry, UK
THE GLYNDEBOURNE FESTIVAL (18 MAY - 25 AUGUST 2002)
GLYNDEBOURNE PERFORMANCE DIARY 2002
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