<< -- 3 -- Monica McCabe JOINING THREADS
The question came up of another ballet to follow this first joint creation,
and it was then that to my surprise Arthur came back into the frame. It
was the time of looking forward to the Millennium, and Arthur seemed to
be a very suitable topic for a major project -- indeed, apparently David
had been toying with the idea himself for some time, though on very different
lines from those originally put forward by me. His first thought, I believe,
was for a very updated version -- Arthur in business suits -- but for whatever
reason this idea (which I personally thought very promising) fell by the
wayside.
The first undertaking for both of them was to do a lot of reading and
I imagine sales of Arthurian literature soared at that time, for both must
have read 30 to 40 books, passing on the details of the various publications
as they came across them, especially those they regarded, for whatever reason,
as particularly worthwhile. Their reading covered every sort of literature:
from classic writings, including Mallory, to careful explanations of mythological
texts and terms, and from academic archeological tomes on the decline of
the Roman Empire, the Dark Ages and the advance of the Saxon conquest through
Celtic Britain, to paperback pulp novels, many of which were highly imaginative,
and cast their own shadows on the finished scenario. Amongst these one sensitive
and well-written -- and probably now out-of-print -- account provided an image
of Arthur's half-sister, Morgan le Fay, as a young girl, which influenced
both John and David very strongly and made them both determined to give
her a major role in the coming production. (As an aside, my personal favourite
amongst this paperback literature is Mary Stewart's brilliantly imaginative
trilogy.)
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Copyright © 17 April 2001
Monica McCabe, Kent, UK
VISIT THE JOHN McCABE WEBSITE
VISIT THE BIRMINGHAM ROYAL BALLET WEBSITE
RODERIC DUNNETT'S IMPRESSIONS OF 'ARTHUR PART 1'
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