DEFINITELY AMONG THE GREATS
'... Podvalová's Sárka is a celebrated interpretation.'
A Marie Podvalová operatic recital -
with RODERIC DUNNETT
Supraphon has done an amazing job remastering these performances, for
Podvalová's career reached its peak just as Germany began dismembering
Czechoslovakia. She was born in l909, and spotted in the late l930s by Talich
when he was director of the National Theatre. Three of the major roles she
sings here were soprano parts she had earned a name for before full
scale hostilities began : Milada in Dalibor, Fibich's Sárka;
(under Chalabala, in l938, who also conducts this postwar recording); and
the supreme rôle in Czech national opera, Smetana's Libuse, which
she sang at the age of just 28.
Just one blast of Podvalová's Milada [listen
-- track 1, 1:56-2:52] (in Act 2 of Dalibor) establishes that we are
in the presence of a major performer. Rather more muted in sound (in this
Czech Radio recording) is her singing of the famous prophecy scene from
Libuse. Elsewhere -- in Sárka, for instance -- Podvalová
displays the fairly fast vibrato characteristic of many Czech singers;
with her Libuse it is less evident. Klíma's pace is quite agitato,
less statuesque than some, which assists the narrative thrust though not
the word painting. An ugly engineered fade near the end doesn't help, and
on the whole I found this doctored Libuse -- so magnificent in the
hands of Gabriela Benacková (SU 1276-2) and Eva Urbanová (SU
3200-2 or 0200-2) -- a disappointment.
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Copyright © 24 March 2001
Roderic Dunnett, Coventry, UK
CD INFORMATION - SUPRAPHON SU 3504-2 611
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READ RODERIC DUNNETT'S BENO BLACHUT REVIEW
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