<< -- 3 -- Peter Dale TREMENDOUS ENGAGEMENT
Williams himself describes it as an 'unravelling process'.
His musical ideas travel. Structure -- points of departure, destinations,
and the journeys between the two - is organic rather than formal (but
reinforced by strong directional tonalities), but it is the process that
is the really interesting thing, for all that the ideas themselves are carefully
characterised, carefully wrought. It feels like series of associative, referential
relationships being gradually mapped out, gradually unravelled. The punctuation
is tentative (this, like the associative process reminds me of Joyce, and
there is an uncanny similarity also in the way both writer and composer
revel in the resources of their respective languages). The cadences are
often 'masked' (Williams' own word, and a particular stylistic
fingerprint) [listen -- track 6, 1:57-2:13] and
don't so much effect closures as stand for colons which in turn lead
on to further perspectives, further vistas, further unravellings. They reveal
new aspects of themselves as unsuspected epiphanies, or as craggy obstinacies
in the mind and landscape, or as translated runes. Sometimes they reveal
associative affinities with other music: Bach, Britten and Rachmaninov in
the Solo Sonata; Edward MacDowell in the Cantilenes, Serbian
Orthodox chant and the clanging of bells in the Spring Requiem [listen -- track 1, 12:58-13:54], but Williams is
anything but a derivative composer. Perhaps it is just a trick of this particular
selection of his music, but I find him most moving when he is most sad --
and there is a lot of poignant sadness here. And when some originally cheerful
idea flits darkly over the surfaces of his 'lush harmonic field'
(Williams' words again), fragile and mysterious and back-lit like a
Bartokian moth, I find myself moved most of all [listen
-- track 1, 9:24-9:58].
Continue >>
Copyright © 4 November 2000
Peter Dale, Essex, UK
CD INFORMATION - METRONOME MET CD 1028
PURCHASE THIS DISC FROM AMAZON
PURCHASE THIS DISC FROM CROTCHET
VISIT THE ADRIAN WILLIAMS WEBSITE
<< Music
& Vision home
Jess and Moser >>
|
To listen to the aural illustrations in this review,
you may need to download RealNetworks' realplayer G2. |
|