<< -- 3 -- Bill Newman MENOTTI AT SPOLETO
Enough reminiscing, my appointment with the Maestro was for 14.30. Edmund
and I, though, had to wait a further hour and a half, because his staff
didn't want to wake him. Very sensibly, he needed the extra rest
as his leg, which had started to trouble him again, had started playing
up. A gorgeous young lady - Elisabeta - kept us entertained, so we kept
her chatting while we imbibed endless soft drinks, admiring the architecture
and decor.
When Menotti arrived he was apologetic: 'But they should have awakened
me!' I think he appreciated my reply. Any delay was well worth it,
for in a wondrous way the full charisma of the surrounds implants charm
and confidence to all who visit, particularly as it was festival time and
everyone was full of proud, past achievements. You have only to read and
relish the photos in the beautiful publication Spoleto Festival to
realize that! Eager beavers surrounded me in the restaurant afterwards:
' How did I do?'
Next day came the rehearsals for the Honegger masterwork: the site, a
raised platform in front of the Piazza Duomo (which you can see in adjacent
photos). The seating extends backwards on a gradual slope, the whole area
sealed from all except those attending the concert itself, but open at all
other times to everyone, including the many press photographers eager to
snap the artists taking part. I espied pianist Jean-Yves Thibaudet, and
managed a few words in between fans commenting on his immaculate dress wear.
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Copyright © 22 August 2000
Bill Newman, Edgware, UK
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