SHARING CONCERNS
BILL NEWMAN talks to British clarinettist EMMA JOHNSON
<< Continued from page 2
'I'm doing more repertoire with my chamber group "Emma Johnson with
Friends" - like Messiaen's Quartet for the End of Time, Schubert's
Octet, Beethoven's Septet, and a trio of concerts in Spain
during the summer with violinist Gabor Takacs-Nagy - Stravinsky, Milhaud
and so on, thereby extending my repertoire in 20th century music for which
I consider the clarinet ideally suited. Yes, there are also the master chamber
works by Mozart, Weber and Brahms, including his two sonatas, and the other
day I counted the number of concertos currently in my repertoire - 40! -
but I also include concertante works and the Rhapsody by Debussy.
I will be reintroducing the John Dankworth Concerto written for me five
years ago; maybe I shall record it soon! I had pieces written for me last
year by Geoffrey Burgon and Martin Butler.
'It's always fascinating to do new repertoire, but you have to be really
sure of your composer and your relationship with them. It can be risky,
too, as audiences count on you to play pieces they can get something out
of; you are never completely sure of this all the time and sometimes you
don't find out until it is too late, when they are not there!' I never came
to grips with Michael Berkeley's Concerto.. 'Really?.. that was written
during his avant garde period.' So, how does she view works by Birtwistle,
Turnage, MacMillan, Adès.. 'I tend to agree, it's not harmony used
in a traditional way and doesn't move you, although Turnage and Macmillan
do have several hats that they wear which sometimes involve a more harmonic
language. Generally, composers nowadays no longer write music around the
personality of the performer; I have worked with some who have already decided
beforehand on the form the piece will take, although I do make various suggestions
based on my instrument where I think it will work to better advantage'.
No, this doesn't ever develop into a fencing match. Quite rightly Emma sees
the performer as serving the composer. He can always be reached by telephone!
Continue >>
Copyright © 11 July 2000
Bill Newman, Edgware, UK
VISIT THE EMMA JOHNSON WEBSITE
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