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Cooperative Cauliflower
Tchaikovsky's 'Eugene Onegin' -
reviewed by ROBERT ANDERSON'The best and worst of this production can be grasped at once ...'
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The best and worst of this production can be grasped at once from both sides of the booklet's front cover. Immediately one is struck by Kristine Opolais as a Tatyana so poised and beautiful that any young man, even as a too-knowing teenager, should have snapped her up without hesitation. Then to the right is a ghostly figure of advanced age, who turns out to be a supernumerary and troublesome Onegin in later life. Down a staircase descend in slow motion a procession of women destined not to dance the polonaise in Act 3...
Copyright © 13 August 2013
Robert Anderson, London UK
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